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| Born | April 30, 1926 Montevideo, Uruguay |
|---|---|
| Died | November 27, 1983 (aged 57) |
Ángel A. Rama (Spanish pronunciation: [ˈaŋxel rama]; April 30, 1926 – November 27, 1983) was a Uruguayan writer, academic, and literary critic, known for his work on modernismo and for his theorization of the concept of 'transculturation.'
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Biography[edit]
Born in Montevideo to Galician immigrants, Rama studied at the Collège de France. He married twice: in 1950, to the poet Ida Vitale, with whom he had two children, Claudio and Amparo; and after separating from Vitale in 1969, to Marta Traba, an eminent art critic, originally from Buenos Aires.
Ruben Dario Espanol
In the 1960s, after several years teaching at the secondary and university level, he became director of the department of Hispanoamerican literature at the Universidad de la República, the Uruguayan state-run University. He also founded the publishing houses Editorial Arca in Montevideo and Editorial Galerna in Buenos Aires. During the 1970s, he held professorships at numerous universities in the Americas and served as literary adviser to the Ayacucho Library in Caracas. The coup d'état of the Uruguayan government surprised him on June 27, 1973, while residing in Venezuela, so he lived in exile for the remainder of his life.
He was a member of Uruguay's 'Generation of '45,' also known as the 'Critical Generation': Carlos Maggi, Manuel Flores Mora, Emir Rodríguez Monegal, Idea Vilariño, Carlos Real de Azúa, Carlos Martínez Moreno, Mario Arregui, Mauricio Muller, José Pedro Díaz, Amanda Berenguer, Tola Invernizzi, Mario Benedetti, Ida Vitale, Líber Falco, Juan Cunha, Juan Carlos Onetti, among others.[1]
He contributed frequently to the weekly review Marcha until its suppression in 1974 by the military government of Juan María Bordaberry. He published important studies on the writings of Ruben Darío, Jose Marti, Jose Maria Arguedas, Juan Carlos Onetti, Gabriel Garcia Marquez and Mario Vargas Llosa, among others. Three of his seminal works are Transculturacion narrativa en America Latina, La ciudad letrada and Las mascaras democraticas del modernismo. Rama's interest and study of the relationships between literacy, power and the complex urban spaces of Latin America led him to develop the concept of the 'lettered city,' in which networks of various forms of literacy entwine.[2]
In 1979, Rama was given an appointment as a professor at the University of Maryland and with Traba they settled in nearby Washington, DC. However, in 1982 they were denied resident visas and were forced to leave the United States. The couple moved to Paris, where they were living in early 1983 when Traba was granted Colombian citizenship by President Belisario Betancur.
He died in the crash of Avianca Flight 011 at Barajas Airport, along with Marta Traba, the Mexican writer Jorge Ibargüengoitia, and Peruvian poet Manuel Scorza, while all four were travelling from Paris to Colombia for an international conference of Latin American writers.
Works[edit]
Imagenes De Ruben Dario Y El Modernismo
- Los contestatarios del poder
- La novela latinoamericana 1920-1980
- Transculturación narrativa en América Latina (1982)
- La ciudad letrada (1984)
- Diario 1970-1983 (posthumous)
References and Links[edit]
- ^Generación del 45: severa en la crítica y brillante en la creación.
- ^Drucker, Johanna (2010). 'Species of Espaces and other spurious concepts addressed to reading the invisible features of signs within systems of relations'. Design and Culture. 2 (2).
- Carlos Carlos (ed.), Ángel Rama. Crítica literaria y utopía en América Latina. Medellín, Universidad de Antioquia, 2006.
- Tomás Eloy Martínez, Ángel Rama o el placer de la crítica
- Mabel Moraña (ed.), Ángel Rama y los estudios latinoamericanos